shortleancuts

10 04 2009

city_butcher_4991

some nights we put ourselves in voluntarily;
tuck and fold and all that’s good and safe.
and others we claw and pull our battered carcasses
(severed torsos, rotten carnage)
inch by inch toward the dark back room
where sleep never comes; just a savage pummeling
night after night.
one request: a glass of water and two aspirin;
a cup of soup and buttered toast.
“what’s in the trunk cabrón?”
oblivion.
oblivion is in the trunk.

if they should string us up by the ankles
and hang us upside down
above the abattoir floor, like sacred cows;
if they should come at us with sharp cold blades
and buckets to collect the blood neatly and orderly;
if they should sacrifice us for charity
i ask this:
make short lean cuts around the ribs
from top to bottom—seamless, sinewy inroads;
and sort out the bad parts, the putrid flesh, expired merchandise.
give all that to the dogs
(to Cerberus)
and ring the bells proper
as proper butchers would.
remember that.





in poetry…(and exile)

5 01 2009

everything works and goes, unless your last name is Shakespeare–then, you have a burden to carry.
and so it’s safe to skip iambic pentameter or any other type of meter,
assonance, rhyme, denotation, connotation, simile, all that.
it’s safe to paint the page with bitterness and screams instead of love.
it ain’t all roses and perfume.
i never liked Shakespeare but…it’s all fair in writing and war.
to de-construct is just as relevant.
(but only if you know foundations to begin with)
Shakespeare would abide.

(in exile)
i have no country to represent me.
i live by the chains of special permission: papers to be filled out, fingerprints, green cards, passports,
forms, proof of the negative, proof of the positive, documents, swiped cards…
instead of having a country, i have an anti-country.
i have no allegiance to a land or government.
i have no love for institution.
i scream, therefore i exist.